This is cinema's equivalent of the dry martini, strong and unadorned. In place of explosions and crashes, we get a strong, unadulterated presentation of the real lives of ordinary, flawed human beings, potentially the most frightening subject matter that can be put on a screen. That credibility, combined with the demands of relating to the emotions presented on screen, make this a kind of "action" movie. For all three I had to remind myself that I was watching actors performing scripted roles. Scott Fitzgerald's "Three Hours Between Planes" (1941), only here the tale is more complex, the characters' emotional intensity heightened. The last story, my favorite, could have been inspired by F. The second tale reminded me of the few pages of Murasaki I once managed to get through. In other words, director Hamaguchi and actors treat the topic realistically. Three stories: The plot ingredients of the first - the problem of exes - material for a good farce or romantic comedy, but the segment here is complex, serious, hurt feelings instead of laughs.
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